Best films of 2021

These are the best films I watched that were released in the UK in 2021. There are some films that were technically out in 2020 but didn’t get a UK release until this year.

This list will also be in no particular order as I can’t make up my mind as to what the literal best film I watched last year was.

My Top Films of 2021

Undine directed by Christian Petzold

Perhaps my biggest film discovery of 2021 was the work of Christian Petzold, an arthouse director from Germany. I was utterly blown away by Undine which had its UK premiere in 2021 on Mubi (I swear I talk about this platform too much but it’s literally the best!). Alongside the film, they have a collection of his work called Phantoms Among Us: The Films of Christian Petzold and it was amazing to go through nearly all of the films he’s made, from short art pieces to full-blown masterpieces.

Undine is magical and has fast become one of my all-time faves due to its intoxicating mix of myth, architecture and romance. Sublime. Read my full review for Undine here.

Dune directed by Denis Villeneuve

I have mixed feelings about Dune. I enjoyed the book but it was a struggle to get through in places and in a similar way I found the movie enjoyable but also a little tough to get into. Sometimes it felt too big and hollow as personally, we didn’t get enough time to build up a connection with the characters, in this respect, a mammoth-like Dune would work better as a tv series, think 8 or 10 1 hour episodes. I also found that while the film is beautifully shot the colour palette was a little boring and later on in the movies in the scenes where the film flicks between broad daylight (dream) and darkness (reality), it really hurt my eyes.

Everything else was wonderful. I loved the casting. I will watch anything with Oscar Isaac in and Rebecca Ferguson played Jessica amazingly. Zendaya was in the film for the briefest moments but she was enchanting as Chani and Timothee Chalamet was the perfect choice for Paul. My only gripe with performances was that Dave Bautista was a bit too over the top but I can live with it.

The soundtrack was A+ ( I mean Hans Zimmer is always a winner) and the movie has made me want to continue reading the series so I guess that’s good too. I think I overhyped the movie because I love Villeneuve‘s work especially his Sci-fi stuff but I have to say I think a re-watch will make me love the movie more.

Spencer directed by Pablo Larrain

Like the ghost of Anne Boleyn haunts Diana in the movie this film is going to haunt my mind for a while. I was blown away by how emotionally raw it was and the fact that Kristen Stewart disappeared into the role perfectly, I suspect an Oscar might be on the horizon. The cinematography was perfection and the fuzziness of the film stock and colour palette felt dreamy and almost a little haunting in itself.

Don’t Look Up directed by Adam McKay

Satire at its best. The comet is obviously a metaphor for the climate crisis and it works really well. I can’t believe that the absurdity of this film is so close to reality but it most definitely is, and that’s quite scary. Probably the best comedy I watched in 2021. And finally, I would totally become unhinged if this happened in real life.

The Matrix: Resurrections directed by Lana Wachowski

Lana Wachowski, I love your mind. This was a brilliant sequel that was technically not needed and could have been a blatant studio cash in on 90’s nostalgia and the popularity of movie franchises - maybe it still is and maybe I’m one of the only people that really enjoyed this film, but tbh I don’t care. What Lana made Resurrections into was actually really beautiful. Born out of losing her parents (and the fear of the studio doing a sequel with or without her) she resurrected Neo and Trinity and she created a film all about love and the power it can have as a force of good.

I also loved how the film comments on the real world, especially through Neo aka Thomas Anderson being dosed up on blue pills to make him a ‘functioning’ member of society and the fact that Trinity aka Tiffany was made into a mother, perhaps out of expectation rather than a real desire to become one. There’s also a scene in an elevator where everyone is staring at a screen except for Anderson, people are willfully enslaved to tech and the Matrix has weaponised everything. Even memories are bent into ‘fiction’ to keep people oblivious. Genius.

If you’ve ever watched the sensational tv series Sense8 which was also created by Lana then you’ll also be delighted to see many familiar faces appearing in the movie. And thematically there’s a cross over too. Togetherness and love are weapons for good and in the 60 years after the events of the original trilogy, some machines and humans are working together, there is no us vs them anymore. and really Neo was never really ‘The One’, he was made whole by Trinity, so really together they are The One, and that’s just fucking beautiful.

Another Round directed by Thomas Vinterberg

Thomas Vintergberg and Mads Mikkelesen are a cinematic force to be reckoned with, The Hunt (<- click to read the review) is one of the best films I’ve ever seen and their 2nd collaboration is just as electric. I will watch anything Mads Mikkelesen is in, I have watched some absolute shit because he’s in it and tbh I will also watch anything Vinterberg makes because he’s a brilliant director, even that weird sci-fi film he made after Festen…I will watch it!

Another Round is funny, earnest and heartbreaking and looks at life in a very beautiful way and I think it’s the kind of film we all needed in 2021 because shit has been super dark these past 2 years. Also that final scene is a revelation and instantly iconic…what a life!!!

Passing directed by Rebecca Hall

Rebecca Hall’s first film as director, Ruth Negga and Tessa Thompson in lead roles, beautiful black and white cinematography and a tinkling jazz motif. This film was amazing, and so dark and complex. Every cinematographic choice made is deliberate and works to function as a riff on the idea of passing and how limiting and restrictive society can be. I have as a result of watching Passing bought the book it was based on by Nella Larson because I just have to delve more into it.

The Green Knight directed by David Lowery

Yikes, this was a depressing film, but it was an absolute piece of art. Taking one of the most famous 14th-century chivalric romances and turning it into a dizzying cinematic journey of operatic proportions is just genius. This is the kind of film that only comes around every so often and it is something to behold, unfortunately in the UK we didn’t really get much of a cinematic release so I had to watch it at home, and I literally ended up watching it on new years eve as I was putting it off for a while out of annoyance. Also, on a side note, the fox was really cute and I would never have volunteered to face the Green Knight because I’m an absolute coward.

Did I cry? Yes, quite a few times actually. I don’t really know why but I think it’s because I’ve been feeling quite emotional recently and I’ve also been feeling really unwell all over the Christmas period and there’s also been a return to death-related panic attacks that I wrote about last year here.

Shiva Baby directed by Emma Seligman

Stressful to watch and sometimes feels like a horror movie, Shiva Baby has to be one of the most fascinating and darkly amusing films of 2021. The concept hooked me and Seligman certainly delivered. It’s funny, awkward and in parts rather unsettling, especially in certain moments when the cinematography creates an air of immense claustrophobia and the soundtrack becomes overpowering and completely discordant.

Shang-Chi and the Legend of the Ten Rings directed by Destin Daniel Cretton

Was Shang-Chi kinda just the usual father-son conflict plot? For the most part yes, but was it infinitely better because the legend that is Tony Leung Chiu-wai played Shang-Chi’s father? Absolutely! I do kind of feel like Leung overshadowed Simu Liu’s main character slightly but it’s hard not to when he is such a compelling actor. I am still in awe of that dance-like fight between Xu Wenwu and Yi Ling! But I must admit the bus fight scene was epic too.

Most Disappointing film

The Eternals

While Eternals wasn’t the worst film I watched last year it was certainly the one that disappointed me the most which is perhaps my own fault for overhyping it!

Was the film beautiful to look at? Yes, Chloé Zhao shoots some of this film like its arthouse, especially the natural landscapes and I loved that. Was the cast ground-breaking? Yes, I loved the diversity of the characters on display, there are different races and cultures, and also the first gay and deaf superheroes in the MCU. Why didn’t I like it that much then? The plot. I didn’t feel like we had enough time with these characters, if anything maybe a mini-series would have served them better, or perhaps its on me and perhaps I should have read some of their comics before to get a taste for the characters.

There were characters I liked, for example the bond between Angelina Jolie’s Thena and Ma Dong-seok’s Gilgamesh (why did he have to die!) was beautiful and I loved how he stayed by her side through the centuries and protected her, I also loved Makkari, I thought she was a brilliant character and her relationship with Druig was endearing…in fact I think every other character was more interesting than Sersi and Ikaris - who are supposed to be the main anchors of the film! Even Kingo and his valet had more chemistry with each other! Also, half the film was exposition and I did find it hard to hear what Arishem was saying because I have tinnitus!

I think I will watch it again when It arrives on Disney+ just to see if I was being too harsh and that maybe I was just in a weird mood as when I watched the trailer I felt like the film was going to be one of my faves in the MCU and it just didn’t hit me the way I thought it would!

However, I am super excited for Kit Harrington’s Black Knight because we got a voice cameo from none other than Blade!!! I loved the Wesley Snipes movies as a kid and I think Mahershala Ali is absolutely going to kill the role

François Ozon's Swimming Pool: The writer as voyeur

François Ozon's 2003 erotic thriller Swimming Pool follows Sarah Morton (Charlotte Rampling) a successful yet dissatisfied crime novelist as she spends some time away from stuffy England at her publishers home in France.

Spoilers ahead…

From the get-go Morton is uptight and bizarre, her excessive consumption of yoghurt is rather uncanny, her interaction with a fan on the tube and simmering jealousy of a new writer is telling. She’s going to undergo a metamorphosis and become less stoic and boring by the end of the film. But how she gets there is going to be rather interesting.

Morton is also a voyeur, she watches Julie (the daughter of the publisher whose house Sarah is staying at) have sex with a random stranger one night and often finds herself watching her when she swims and also becomes irritated by Julie talking and laughing on the phone. A weird obsession grows. There's also a scene in Sarah’s imagination where the camera tracks the contours of Julie’s body as she sunbathes, it’s almost the male gaze at work but it’s actually Sarah’s gaze, her authorial imagination at work.

I feel like the writer as a voyeur is such an obvious yet intriguing trope in thrillers. I mean writers definitely have to be voyeurs to some extent, people-watching is a socially acceptable form of voyeurism. But a thriller always makes them a little more creepy, and to be honest, Rampling makes this trope work so well that it almost feels fresh again.

“When someone keeps an entire part of their life secret from you, it's fascinating and frightening”

However, this is when things start to get complicated, Julie reads Sarah’s book and invites the local waiter Frank (to who Morton has taken a liking) over to make her jealous, they party. The morning after a panicked Sarah sees the pool covered up with a lump in the middle of the tarpaulin. Is Frank dead? No, it’s just the inflatable lilo. This moment was done well, it was predictable but it still makes your skin crawl for the duration of the scene.

Unsurprisingly, Frank does actually turn up dead, the two women bury him and vow to get on with their lives, Sarah even has to seduce the gardener after he starts to inspect the grave they dug the night before.

But this is all a ruse.

The entire plot of the film is put into question when an emboldened Morton returns to London with her finished novel and announces to her publisher that she has signed with someone else to release the book. Upon leaving the office a young girl enters and is addressed as Julie and greets her father. The Julie in France is not the real Julie in fact she never existed at all!

What a brilliant twist. She’s just an over-imaginative and slightly perverse writer. The metamorphosis I mentioned earlier happens because she gets her inspiration back, she blooms again because she has written something that excites her. I love how Ozon weaved this narrative and for a while, I thought it was going to follow an obvious course but I was really pleasantly surprised.

Ozon himself said ‘Charlotte's character kept mixing fantasy and reality. Although in Swimming Pool, everything related to fantasy is part of the act of creation, so it is more channelled and less likely to end up causing madness. In terms of directing, I've treated everything that is imaginary in Swimming Pool in a realistic way so that you see it all – fantasy and reality alike – on the same plane.”

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